A typical Dravidian gate pyramid called Gopuram-Thiruvannamalai temple-Tamil Nadu
Composition and structure
The Annamalaiyar Temple in Thiruvannaamalai, India
1. The principal part, the actual temple itself, is called the Vimanam. It is always square in plan, and surmounted by a pyramidal roof of one or more stories; and it contains the cell in which the image of the god or his emblem is placed.
2. The porches or Mantapams, which always cover and precede the door leading to the cell.
3. Gate-pyramids, Gopurams, which are the principal features in the quadrangular enclosures that surround the more notable temples.
4. Pillard halls or Chaultris—properly Chawadis – used for various purposes, and which are the invariable accompaniments of these temples.
Besides these, a temple always contains tanks or wells for water—to be used either for sacred purposes or the convenience of the priests—dwellings for all the various grades of the priest-hood are attached to it, and numerous other buildings for state or convenience.
Influence from different periodsIn Southern India seven kingdoms and empires stamped their influence on architecture during different times.:
The Subrahmanya Murugan temple of Saluvankuppam, in Saluvankuppam nearMahabalipuram in Tamil Nadu. The brick shrine dates to the Sangam period and is one of the oldest Hindu temples to be unearthed
The Rathas in Mahabalipuram-Tamilnadu
Pallavas were pioneers of south Indian architecture. The earliest examples of temples in the Dravidian style belong to the Pallava period. The earliest examples of Pallava constructions are rock-cut temples dating from 610 – 690 CE and structural temples between 690 – 900 CE. The greatest accomplishments of the Pallava architecture are the rock-cut temples at Mahabalipuram. There are excavated pillared halls and monolithic shrines known as rathas in Mahabalipuram. Early temples were mostly dedicated to Shiva. The Kailasanatha temple also called Rajasimha Pallaveswaram in Kanchipuram built by Narasimhavarman II also known as Rajasimha is a fine example of the Pallava style temple. Mention must be made here of the Shore Temple constructed by Narasimhavarman II near Mahabalipuram which is a UNESCO World Heritage Site.
Contrary to popular impression about the succeeding empire of the Cholas pioneering in building large temple complexes, it was the Pallavas who actually pioneered not only in making large temples after starting construction of rock cut temples without using mortar, bricks etc.(**) The shining examples of such temples are the Thiruppadagam and Thiruooragam temples that have 28 and 35 feet (11 m) high images of Lord Vishnu in his manifestation as Pandavadhoothar and Trivikraman forms of himself. In comparison the Siva Lingams in the Royal Temples of the Cholas at Thanjavur and Gangaikonda Cholapurams are 17 and 18 feet (5.5 m) high. Considering that the Kanchi Kailasanatha Temple built by Rajasimha Pallava was the inspiration for Raja Raja Chola’s Brihadeeswara at Thanjavur, it can be safely concluded that the Pallavas were among the first emperors in India to build both large temple complexes and very large deities and idols(**) Many Siva and Vishnu temples at Kanchi built by the great Pallava emperors and indeed their incomparable Rathas and the Arjuna’s penance Bas Relief (also called descent of the Ganga) are proposed UNESCO World Heritage Sites. The continuous Chola, Pallava and Pandiyan belt temples (along with those of the Adigaimans near Karur and Namakkal), as well as the Sethupathy temple group between Pudukottai and Rameswaram uniformly represent the pinnacle of the South Indian Style of Architecture that surpasses any other form of architecture prevalent between the Deccan Plateau and Kanniyakumari(**). Needless to add that in the Telugu country the style was more or less uniformly conforming to the South Indian or Dravidian idiom of architecture.(**)
Srivilliputtur Andal Temple is the official symbol of the Government of Tamilnadu. It is said to have been built by Periyaazhvar, the father-in-law of the Lord, with a purse of gold that he won in debates held in the palace of PandyaKing Vallabhadeva.
Detail of the main vimanam (tower) of the Thanjavur Temple-Tamilnadu
The Cholas were prolific temple builders right from the times of the first king Vijayalaya Chola after whom the eclectic chain of Vijayalaya Chozhisvaram temple near Narttamalai exists. These are the earliest specimen of Dravidian temples under the Cholas. His son Aditya I built several temples around the Kanchi and Kumbakonam regions.
Temple building received great impetus from the conquests and the genius of Aditya I Parantaka I,Sundara Chola, Rajaraja Chola and his son Rajendra Chola I. The maturity and grandeur to which the Chola architecture had evolved found expression in the two temples of Tanjavur and Gangaikondacholapuram. In a small portion of the Kaveri belt between Tiruchy-Tanjore-Kumbakonam, at the height of their power, the Cholas have left over 2300 temples, with the Tiruchy-Thanjavur belt itself boasting of more than 1500 temples. The magnificent Siva temple of Thanjavur built by Raja Raja I in1009 as well as the Brihadisvara Temple of Gangaikonda Cholapuram, completed around 1030, are both fitting memorials to the material and military achievements of the time of the two Chola emperors. The largest and tallest of all Indian temples of its time, the Tanjore Brihadisvara is at the apex of South Indian architecture. In fact, two succeeding Chola kings Raja Raja II and Kulothunga III built the Airavatesvara Temple at Darasuram and the Kampahareswarar Siva Temple at Tribhuvanam respectively, both temples being on the outskirts of Kumbakonam around AD 1160 and AD 1200. All the four temples were built over a period of nearly 200 years reflecting the glory, prosperity and stability under the Chola emperors.
Contrary to popular impression, the Chola emperors patronized and promoted construction of a large number of temples that were spread over most parts of the Chola empire. These include 40 of the 108 Vaishnava Divya Desams out of which 77 are found spread most of South India and others in Andhra and North India(**). In fact, the Sri Ranganathaswamy Temple in Srirangam, which is the biggest temple in India (**) and the Chidambaram Natarajar Temple (though originally built by the Pallavas but possibly seized from the Cholas of the pre-Christian era when they ruled from Kanchi) (**) were two of the most important temples patronized and expanded by the Cholas and from the times of the second Chola King Aditya I, these two temples have been hailed in inscriptions as the tutelary deities of the Chola Kings (**). Of course, the two Brihadisvara Temples at Thanjavur and Gangaikonda Cholapuram as well as the other two Siva temples, namely the Airavatesvara Temple of Darasuram and the Sarabeswara (Shiva )Temple which is also popular as the Kampahareswarar Temple at Thirubhuvanam, both on the outskirts of Kumbakonam were the royal temples of the Cholas to commemorate their innumerable conquests and subjugation of their rivals from other parts of South India, Deccan Ilangai or Sri Lanka and the Narmada-Mahanadi-Gangetic belts(**). But the Chola emperors underlined their non-partisan approach to religious iconography and faith by treating the presiding deities of their other two peerless creations, namely theRanganathaswamy Temple dedicated to Lord Vishnu at Srirangam and the Nataraja Temple atChidambaram which actually is home to the twin deities of Siva and Vishnu (as the reclining Govindarajar) to be their ‘Kuladheivams’ or tutelary (or family) deities(**). The Cholas also preferred to call only these two temples which home their tutelary or family deities as Koil or the ‘Temple’, which denotes the most important places of worship for them, underlining their eq. The above-named temples are being proposed to be included among the UNESCO World Heritage Sites, which will elevate them to the exacting and exalting standards of the Great Living Chola Temples(**).
The temple of Gangaikondacholapuram, the creation of Rajendra Chola I, was intended to exceed its predecessor in every way. Completed around 1030, only two decades after the temple at Thanjavur and in much the same style, the greater elaboration in its appearance attests the more affluent state of the Chola Empire under Rajendra. This temple has a larger Siva linga than the one at Thanjavur but the Vimana of this temple is smaller in height than the Thanjavur vimana.
The Chola period is also remarkable for its sculptures and bronzes all over the world. Among the existing specimens in museums around the world and in the temples of South India may be seen many fine figures of Siva in various forms, such as Vishnu and his consort Lakshmi, and the Siva saints. Though conforming generally to the iconographic conventions established by long tradition, the sculptors worked with great freedom in the 11th and the 12th centuries to achieve a classic grace and grandeur. The best example of this can be seen in the form of Nataraja the Divine Dancer.
Main article: Badami Chalukya Architecture
Virupaksha temple, Pattadakal, Karnataka built in 740
The most enduring legacy of the Chalukya dynasty is the architecture and art that they left behind. More than one hundred and fifty monuments attributed to the Badami Chalukya, and built between 450 and 700, remain in the Malaprabha basin in Karnataka.
The rock-cut temples of Pattadakal, a UNESCO World Heritage Site, Badami and Aihole are their most celebrated monuments. Two of the famous paintings atAjanta cave no. 1, “The Temptation of the Buddha” and “The Persian Embassy” are attributed to them. This is the beginning of Chalukya style of architecture and a consolidation of South Indian style.
The view of the Kailash Temple from the top. The photo is taken at the cave temples clusters of Ellora, Maharastra, India.
The Rashtrakutas contributed much to the culture of theDeccan. The Rashtrakuta contributions to art and architecture are reflected in the splendid rock-cut shrines at Ellora and Elephanta, situated in present dayMaharashtra. It is said that they altogether constructed 34 rock-cut shrines, but most extensive and sumptuous of them all is the Kailasanatha temple at Ellora. The temple is a splendid achievement of Dravidian art. The walls of the temple have marvellous sculptures from Hindy mythology including Ravana, Shiva andParvathi while the ceilings have paintings.
The project was commissioned by King Krishna I after the Rashtrakuta rule had spread into South India from the Deccan. The architectural style used was dravidian. It does not contain any of the Shikharascommon to the Nagara style and was built on the same lines as the Virupaksha temple at Pattadakal inKarnataka.
Main article: Western Chalukya architecture
Dodda Basappa temple, Dambal, Gadag district,Karnataka
The reign of Western Chalukya dynasty was an important period in the development of architecture in the deccan. Their architectural developments acted as a conceptual link between the Badami Chalukya Architecture of the 8th century and the Hoysala architecture popularised in the 13th century. The art of Western Chalukyas is sometimes called the “Gadag style” after the number of ornate temples they built in the Tungabhadra - Krishna River doab region of present day Gadag district in Karnataka. Their temple building reached its maturity and culmination in the 12th century, with over a hundred temples built across the deccan, more than half of them in present day Karnataka. Apart from temples they are also well known for ornate stepped wells (Pushkarni) which served as ritual bathing places, many of which are well preserved in Lakkundi. Their stepped well designs were later incorporated by the Hoysalas and the Vijayanagara empire in the coming centuries.
Symmetrical architecture on Jagati, Somanathapura, Karnataka
Main article: Hoysala architectureThe Hoysala kings ruled southern India during the period AD (1100-1343) from their capital Belur and laterHalebidu in Karnataka and developed a unique idiom of architecture called the Hoysala architecture inKarnataka state. The finest examples of their architecture are the Chennakesava Temple in Belur,Hoysaleswara temple in Halebidu, and the Kesava Temple in Somanathapura.
The modern interest in the Hoysalas is due to their patronage of art and architecture rather than their military conquests. The brisk temple building throughout the kingdom was accomplished despite constant threats from the Pandyas to the south and the Seunas Yadavas to the north. Their architectural style, an offshoot of the Western Chalukya style, shows distinct Dravidian influences. The Hoysala architecture style is described as Karnata Dravida as distinguished from the traditional Dravida, and is considered an independent architectural tradition with many unique features.
Virupaksha Temple at Hampi, Karnataka
Main article: Vijayanagar ArchitectureThe whole of South India was ruled by Vijayanagar Empire from AD(1343-1565), who built a number of temples and monuments in their hybrid style in their capital Vijayanagar in Karnataka. Their style was a combination of the styles developed in South India in the previous centuries. In addition, the Yali columns (pillar with charging horse), balustrades (parapets) and ornate pillared manatapa are their unique contribution. King Krishna Deva Raya and others built many famous temples all over South India in Vijayanagar Architecture style.
Vijayanagara architecture is a vibrant combination of the Chalukya,Hoysala, Pandya and Chola styles, idioms that prospered in previous centuries. Its legacy of sculpture, architecture and painting influenced the development of the arts long after the empire came to an end. Its stylistic hallmark is the ornate pillaredKalyanamantapa (marriage hall), Vasanthamantapa (open pillared halls) and the Rayagopura (tower). Artisans used the locally available hard granite because of its durability since the kingdom was under constant threat of invasion. While the empire’s monuments are spread over the whole of Southern India, nothing surpasses the vast open air theatre of monuments at its capital at Vijayanagara, a UNESCO World Heritage Site.
In the 14th century the kings continued to build Vesara or Deccan style monuments but later incorporated dravida-style gopurams to meet their ritualistic needs. The Prasanna Virupaksha temple (underground temple) of Bukka Raya I and the Hazare Rama temple of Deva Raya I are examples of Deccan architecture. The varied and intricate ornamentation of the pillars is a mark of their work. At Hampi, though the Vitthala temple is the best example of their pillared Kalyanamantapa style, theHazara Ramaswamy temple is a modest but perfectly finished example. A visible aspect of their style is their return to the simplistic and serene art developed by the Chalukya dynasty. A grand specimen of Vijayanagara art, the Vitthala temple, took several decades to complete during the reign of the Tuluva kings.
பெருவுடையார் கோயில் Temple(world’s first complete granite temple)
This temple is one of India’s most prized architectural sites. The temple stands amidst fortified walls that were probably added in the 16th century. The ‘Vimana’ – or the temple tower – is 216 ft (66 m) high and is among the tallest of its kind in the world. TheKalash or ‘Chikharam’ (apex or the bulbous structure on the top) of the temple is not carved out of a single stone as widely believed. There is a big statue of Nandi (sacred bull), carved out of a single rock, at the entrance measuring about 16 feet long and 13 feet high. The entire temple structure is made out of hard granite stones, a material sparsely available currently in Thanjavur area where the temple is located.
Built in 1010 AD by Raja Raja Chola in Thanjavur, Brihadishwara Temple also popularly known as the ‘Big Temple’ has turned 1000 years in 2010