July 2010 update: A new paper by Dr. Parpola, A Dravidian solution to the Indus script problem,
was presented as the Katalgnar M. Karunanidhi Classical Tamil Research
Endowment Lecture on June 25, 2010 in Coimbatore and published by the Central Institute for Classical Tamil. Download 34 page PDF (2010)
September 2009 update: We are delighted to present a new paper by Dr. Parpola, 'Hind Leg' + 'Fish': Towards Further Understanding of the Indus Script, published in Scripta, Volume I (Sept. 2009) by the Hunmin jeongeum Society. Download 40 page PDF (2009) - - - - - - - - - - - - - -
In
2004 Steve Farmer, Richard Sproat (University of Illinois) and
Michael Witzel (Harvard University) stunned the world of ancient Indus
scholarship with the claim that the Indus sign system was not writing
(their joint paper, The Collapse of the Indus-Script Thesis: The Myth of a Literate Harappan Civilization can be found on Farmer's website).
Their work received widespread publicity, even in popular science
magazines. They based their reasoning on computer analysis of Indus sign
properties apparently not in common with other ancient written
languages. The lack of lengthy inscriptions common to other early
written languages is another major factor in their argument.
A target of their critique was the work of Dr. Asko Parpola (University of Helsinki, website)
who - like a number of other ancient Indus "decipherments" in the past
century - had concluded that the Indus sign system represented an
ancient Dravidian language. Like the Jesuit priest Father Heras in the
1930s, he proposed (to the layman, rather convincingly) that the fish
sign represented the word min, (pronounced meen) which designates
both fish and star in most Dravidian languages. Dr. Parpola and his
team's further "decipherments" based on the fish sign
and old Tamil words for heavenly bodies seem to fit (to the layman,
again) very nicely with words designating Venus, Saturn, the Pleaides,
and other astral entities. The stars and heavenly signs were important
to ancient peoples everywhere, especially ones who built economies on
maritime navigation. Although it is not possible to test his
interpretations, it would not be surprising if some of them are close to
the truth. Still, important scholars like Gregory Possehl (University
of Pennsylvania) do not accept Dr. Parpola's interpretations, while
others like Indian and early Tamil expert Iravatham Mahadevan
add to them. Something as clear as a definitive Rosetta stone for the
ancient Indus language still eludes archaeologists. Nonetheless the
discovery in the spring of 2006 of Indus signs on a hand-axe
in the southern India state of Tamil Nadu could increase the
probability that the ancient Indus signs are related to the Dravidian
language family. Until this apparent discovery, there was no clear
physical evidence for such a link.
Dr.
Parpola's work also stems from a deep knowledge of Bronze Age ancient
Mesopotamian civilizations. Some of the largest world trade ever must
have taken place between Indus and Mesopotamian merchants during the
heyday of these urban civilizations around 2350 BCE. (Discussion of this
trade by Massimo Vidale (Centro Scavi IsIAO) and Dennys Frenez
(University of Bologna) will be featured on on this website in the
coming years.) Then there are the further discoveries in recent years of
adjacent cultures between the Euphrates and Indus, like the Bactria
Margiana Architectural Complex (BMAC) civilization of central Asia and
Afghanistan and the city of Jiroft in southwestern Iran at the edge of
the Indus plateau. Ancient human history from Turkey to India was
international long before the global economy.
All
these entitites traded with each other. The birth of signs or writing
on stamp seals to designate ownership of goods is intertwined with the
rise of early cities. To assume that other cultures with whom the Indus
people traded were writing on stamp seals but the ancient Indus
people were not seems slightly improbable. The objective of the seals
and the symbols on them was to facilitate efficient communication across
cultures.
Dr.
Parpola's work is also rigorously informed by the early Vedic Hindu
tradition that followed the ancient Indus civilization after around
1700-1500 BCE. Some of his interpretations, like the link between the
gods Rudra and Shiva, continue the linkages to later Hindu traditions.
Nonetheless,
to simply equate the Vedic and Indus cultures is wrong. The debate
around the myth of an Aryan invasion of India is remarkable for its
two-dimensionality. Largely south Indian Dravidian and largely North
Indian or Indo-European languages have different origins. While there is
no evidence for a single physical invasion of India by Indo-European
language speakers, the steady growth of Indo-European language speakers
through migration at the fringes and even into the heartland of Indus
civilization is possible and needs archaeological and bioanthropological
research. Proto-Dravidian languages are thought by some scholars to
have originated on the Iranian plateau in 3500 B.C., almost two thousand
miles from where Tamil is spoken in modern South India. Other scholars
suggest that they emerged indigenously in peninsular India.
Analogously, Indians speak English today without being considered
"European." People who attach race, political and religous agendas to
ancient Indus studies miss the point.
Study of the Indus Script
was first delivered as a lecture in Japan by Dr. Parpola in the summer
of 2005 and has been updated since. It contains a response to the
Farmer et. al paper. For someone new to the subject, it summarizes key
issues and facts about the ancient Indus interpretations. It presents
the cornerstones of Parpola's interpretation. It is a milestone in a
lifetime of research from someone who has studied this puzzle in
ancient communication longer and more deeply than anyone else.
As
an essay, it fulfils an essential obligation for this art form
described by the literary critic George Lukacs. It casts an ultraviolet
light on its subject matter. Download the 38 page PDF Study of the Ancient Indus Script by Asko Parpola. |
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